BLU-RAY REVIEW: SHOCK WAVES

By Jerry Smith
As far as zombie films go, if you’ve seen one, you’ve just about seen them all. With the exception of the original trilogy from Romero, a Fulci film or two and various other horror auteurs who have given breaths of fresh air into the zombie film subgenre, the flesh-eating undead have slowly crept through enough movies to fill the Grand Canyon, and very few do anything daring or unique. Ken Wiederhorn’s 1977 film SHOCK WAVES (aka DEATH CORPS) is not only that breath of fresh air that so many other zombie films fail at providing, but it’s just a damned good horror film in general, and the subject of Blue Underground’s newest HD release.
Beginning its tale with the finding of Rose (Brooke Adams from the 1978 version of INVASION OF THE BODY SNATCHERS), a dehydrated sole survivor of a mysterious attack, SHOCK WAVES establishes a mystery of wanting to know what happened, before providing an explanation that is truly one of the most original takes on the zombie film of all time. While aboard a small (and run down) commercial boat filled with a few other passengers, Rose and the others become stranded after a series of events, with everything from the ship’s captain (the late John Carradine) being less of leader and more of a grumpy old man, to engine failure and to top it all off, a massive (and somewhat invisible) ship causing them to wreck their boat.
When the morning approaches, and the gang http://www.buyambienmed.com/buy-ambien/ discovers the captain’s dead body floating through the water, it’s obvious that danger is soon coming. When the stranded passengers discover an old hotel, inhabited only by a recluse (played by Van Helsing himself, Peter Cushing), with a Nazi flag hung nearby. Almost directly after coming into contact with the reclusive old man, a group of undead Nazi zombies rise from the deep waters, murdering the passengers in interesting ways.
What sets SHOCK WAVES so far apart from every other zombie film, is how original it is, with its undead being so very different than any other take on the filmic ghoul. These zombies aren’t interested in flesh or brains and walking at a slow pace, they’re methodical and cunning, slowly stalking their prey before rising from the waters and taking the individual out. Eerie stuff…
The HD transfer is exactly what one would hope it to be, cleaned up, but not to excessively. It looks great in HD, but there’s still that grain and “film” look to it, making for a viewing experience that feels authentic. As far as supplemental material goes, there’s an impressive amount of new interviews with everyone from producer/cinematographer Reuben Trane, to stars Adams and Luke Halpin to Composer Richard Einhorn. Blue Underground never skimps on their releases, and SHOCK WAVES is yet another great release from them and is, in this critic’s opinion, an exceptional treatment of one of the five best zombie films of all time.
DELIRIUM REVIEW: 8/10

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Blu-ray Review: HELL OF THE LIVING DEAD/RATS: NIGHT OF TERROR Double Feature

By Jerry Smith
To call Bruno Mattei’s HELL OF THE LIVING DEAD (aka-NIGHT OF THE ZOMBIES, VIRUS and ZOMBIE CREEPING FLESH) a guilty pleasure would be the understatement of the year. It’s in NO way a “good” movie. It’s incoherent at times, full of confusing actions by its characters and is easily one of the worst of the Italian zombie films that followed the craze set forth by George A. Romero’s 1978 classic, DAWN OF THE DEAD.
With that said, and with its warts and all, it’s impossible to say that the film is not one entertaining train wreck to watch, a film so full of randomness and blood, that you find yourself as a viewer completely enthralled by what’s playing out in front of you. With its story of a military experiment called the “Hope Project” gone horribly wrong, setting the undead loose on the world, HELL OF THE LIVING DEAD is a film that revels in its absurdity, showcasing everything from zombies chewing on peoples’ necks to one odd sequence in which a group of soldiers stumble upon a couple of journalists before coming across a tribal village. Having “Spent a year studying the tribe”, the female journalist does what anyone would do in that situation: strips completely naked, paints her breasts and acts like a tribal member. It is choices like those that make the film so odd, yet when the zombie action hits, you find yourself enthralled EVERY SINGLE TIME, no matter how absurd the rest of the film is. I dare anyone watching the film for the first time, to act like they saw the end of the film coming, with it giving gore fans one of the most unexpected yet welcomed death scenes in ages.
The disc’s transfer itself looks absolutely great though, as Blue Underground always does such an excellent job bringing these cult favorites into the digital age, with wonderful looking HD transfers, as well as some entertaining interviews http://healthsavy.com/product/amoxicillin/ with various people involved.
Where the double feature REALLY stands out, is the second Mattei film in the set, the 1984 rodents vs. post-apocalyptic bikers feature, RATS: NIGHT OF TERROR. If HELL OF THE LIVING DEAD is the sillier and more absurd of the two, RATS is exactly what it sounds like it would be: an extremely entertaining film, full of memorable characters, sequences and some gnarly effects to boot.
Involving a gang of bikers (including DEMONS star Geretta Geretta, see DELIRIUM #3 for a full interview) coming across a seemingly empty village and discovering that not only is the village NOT deserted, but that rats have killed its residents and now have their sights on the gang. If battling hundreds of murderous rats wasn’t bad enough, the gang slowly lose their cool and begin to turn on each other as well, leading to a battle of who is truly in charge, something that seems quite silly, when some gnarly rats are wanting to make you into their snack.
RATS is pure entertainment from the beginning to the very end, a film that instantly transports you to the time in which we’d get a steady amount of films involving larger than life plots like that of films like these, a time that has sadly been lost in the genre films that tend to take themselves a bit too seriously these days. Seeing older films like RATS, filled to the brim with larger than life characters and situations puts a smile on my face from ear to ear.
Like HELL OF THE LIVING DEAD, RATS: NIGHT OF THE TERROR looks superb, yet another reason that Blue Underground is currently one of the best companies putting out genre favorite films onto brand new Blu-ray HD transfers. With this excellent double feature set and their recent Blu-ray release of Soavi’s STAGEFRIGHT, I can’t wait to see what the folks at Blue Underground have up their sleeve next.

DELIRIUM Review 7/10