New Book Collects Three Decades of Film Poster Art
Full Moon just announced the release of FULL MOON FEATURES: THE ART COLLECTION, an 84 page, 12×9 coffee table tome that collects a library of arresting promotional artwork culled from dozens of our legendary franchise horror films.
Inside this incredible book you’ll find lush and lively posters for films from the PUPPET MASTER, KILLJOY, DEMONIC TOYS, TRANCERS, THE GINGERDEAD MAN, EVIL BONG and SUBSPECIES franchises and many more besides. Here, collected for the first time, fans can have the original art they grew up with, couple with jaw-dropping international poster and one-sheet art used to promote these immortal pictures in various countries and territories around the world.
In the annals of international cult, horror and fantasy filmmaking, the name Jess Franco is royalty. The controversial Spanish-born auteur directed over 200 remarkable films in his 60 year career before his death in 2013, sculpting a body of dangerous, dark, erotic and generally outrageous descents into personal, obsessive and entertaining excess.
Now, Full Moon is thrilled to be able to honor the legacy of Jess Franco with our new DVD series, “The Jess Franco Collection.” Working in partnership with legendary exploitation film producer Erwin C. Dietrich, Full Moon’s “The Jess Franco Collection” features 10 titles culled from that golden period of collaboration between Dietrich and Franco, all of them featuring transfers struck from a brand new HD master and each release loaded with special features.
Starting with Franco’s violent 1976 masterpiece JACK THE RIPPER, Full Moon will release a new Franco title every month to DVD. Each beautifully designed and packaged DVD will http://www.eta-i.org/sildenafil.html feature on its spine, a piece of a “puzzle” that, when put together with the entire 10-unit set, will create an exclusive portrait of Jess Franco designed by artist Ryan Brookhart.
“I’m excited to be able to bring this awesome collection to the fans,” says Full Moon founder and equally storied genre film producer/director Charles Band.
“My WIZARD home video imprint was among the first in North America to distribute Franco’s films in the early 1980s and it makes perfect sense that Full Moon should be the ones to now release these beautiful new transfers of some of Jess’ most effective pictures to domestic DVD.”
Titles featured in Full Moon’s “The Jess Franco Collection” are as follows:
By Jerry Smith
As far as zombie films go, if you’ve seen one, you’ve just about seen them all. With the exception of the original trilogy from Romero, a Fulci film or two and various other horror auteurs who have given breaths of fresh air into the zombie film subgenre, the flesh-eating undead have slowly crept through enough movies to fill the Grand Canyon, and very few do anything daring or unique. Ken Wiederhorn’s 1977 film SHOCK WAVES (aka DEATH CORPS) is not only that breath of fresh air that so many other zombie films fail at providing, but it’s just a damned good horror film in general, and the subject of Blue Underground’s newest HD release.
Beginning its tale with the finding of Rose (Brooke Adams from the 1978 version of INVASION OF THE BODY SNATCHERS), a dehydrated sole survivor of a mysterious attack, SHOCK WAVES establishes a mystery of wanting to know what happened, before providing an explanation that is truly one of the most original takes on the zombie film of all time. While aboard a small (and run down) commercial boat filled with a few other passengers, Rose and the others become stranded after a series of events, with everything from the ship’s captain (the late John Carradine) being less of leader and more of a grumpy old man, to engine failure and to top it all off, a massive (and somewhat invisible) ship causing them to wreck their boat.
When the morning approaches, and the gang http://www.buyambienmed.com/buy-ambien/ discovers the captain’s dead body floating through the water, it’s obvious that danger is soon coming. When the stranded passengers discover an old hotel, inhabited only by a recluse (played by Van Helsing himself, Peter Cushing), with a Nazi flag hung nearby. Almost directly after coming into contact with the reclusive old man, a group of undead Nazi zombies rise from the deep waters, murdering the passengers in interesting ways.
What sets SHOCK WAVES so far apart from every other zombie film, is how original it is, with its undead being so very different than any other take on the filmic ghoul. These zombies aren’t interested in flesh or brains and walking at a slow pace, they’re methodical and cunning, slowly stalking their prey before rising from the waters and taking the individual out. Eerie stuff…
The HD transfer is exactly what one would hope it to be, cleaned up, but not to excessively. It looks great in HD, but there’s still that grain and “film” look to it, making for a viewing experience that feels authentic. As far as supplemental material goes, there’s an impressive amount of new interviews with everyone from producer/cinematographer Reuben Trane, to stars Adams and Luke Halpin to Composer Richard Einhorn. Blue Underground never skimps on their releases, and SHOCK WAVES is yet another great release from them and is, in this critic’s opinion, an exceptional treatment of one of the five best zombie films of all time.
DELIRIUM REVIEW: 8/10
by Matty Budrewicz
88 Films dig their heels further into the UK genre market this week by unleashing yet another cult favourite, with Portland indie journeyman Don Gronquist’s moody slasher mystery UNHINGED receiving a welcome DVD reissue. It’s without doubt a step up from any previous disc too, from Platinum’s discount PAL VHS transfer, to Brentwood’s Stateside release – you know, that one with the obnoxious ‘comedy’ (in the loosest sense of the word) commentary. Bleurgh…
Don’t be expecting anything swanky though. For those spoilt by the pin-sharp picture and high-end sound of the recent slew of spiffy special ed blus from Arrow and Scream Factory et al, 88’s no-fuss package will likely horrify; Unhinged is just as rough and ready-looking as ever, thanks to no HD elements being available to create a new master. Still, with two presentations of the film to choose from – a 4×3 open matte or an upscaled anamorphic widescreen version – and an informative talk-track with Gronquist himself, it’s definitely the way to go. Its rock-bottom price tag is just the sweetener.
One of Blighty’s infamous Video Nasties, Unhinged’s inclusion in that notorious line-up is just as nonsensical as the rest of its condemned compadres; perhaps even more so as, unlike the grue excess of CANNIBAL FEROX and FACES OF DEATH, Unhinged eschews artery-splitting mayhem in favour of a handful of off-screen blood splashes. As noted by critic Calum Waddell in 88’s liner notes, its undue attention was probably more down to its stunningly morbid artwork – lovingly reproduced here – than anything particularly explicit within the film itself.
Of course, that’s not to say Unhinged is an easy ride. It’s far from it; a dark, tonally depressing cocktail of familial madness, repression and aberrant sexuality. Like Ruggero Deodato’s landmark gut-muncher CANNIBAL HOLOCAUST and Romano Scavolini’s harrowing proto-HENRY, NIGHTMARES IN A DAMAGED BRAIN – two of the smartest, and most uncompromising, of the Nasty canon – there’s much more going on thematically than just simple, box-ticking exploitation. Unhinged is elevated cheapjack horror.
Drawing too from the old dark house and psycho-biddy subgenres, Unhinged finds a trio of totty (Laurel Munson, Sara Ansley and Barbara Lusch) sheltering at an isolated, brooding mansion after a car accident. Their hosts, the Penroses, are hospitable but off, with prudish daughter Marion (J.E. Penner) domineered by her screeching, man-hating mother (Virginia Settle). Soon, a killer is prowling the Penrose grounds and, as the body count slowly starts to rise, so too do the skeletons that come creeping out of the deep, dark family closet…
It’s not quite classic stuff: Though atmospheric and showing a great flair for uncomfortable detail, Gronquist’s direction is, even with such a scant seventy-odd minute run time, a touch lax; especially so during Unhinged’s more standard dramatic moments. The performances too range from the overdone to the undercooked, with only Penner (who’d later appear in, of all things, HOMEWARD BOUND) producing a thoroughly credible turn. Nonetheless, Unhinged remains a minor of gem of sorts; it may be a little unpalatable for anyone expecting a FRIDAY THE 13TH-style popcorn crowd-pleaser, but for us schlock nuts who like our stalk and slash a little left of center a la FUNERAL HOME and THE UNSEEN, it’s just the disquieting tonic.
DELIRIUM REVIEW – 6/10